Two Renoir Paintings Still Missing After Four Worth Millions Stolen in French Museum Heist

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Renoir Museum in Cagnes-sur-Mer, France | AI-Generated Image

The museum alarm sounded at 5:48 a.m. local time prompting municipal police to reach the site at 5:53 a.m. according to Bryan Masson the mayor of Cagnes-sur-Mer. The two thieves described by Masson as well equipped and acting like a commando unit had cut through the perimeter fence before using an electric knife or metal saw to remove the paintings from their bolted frames. Surveillance cameras recorded the pair as they escaped through the garden where they dropped two canvases while fleeing the scene Masson told reporters at a news conference. The mayor who belongs to a far-right political party emphasised that the response time showed the effectiveness of local video surveillance and rapid intervention even if the suspects evaded immediate capture.

The two works still missing are Portrait of Madame Colonna Romano from 1910 and Jeune fille au puits from 1886 while the recovered pieces are Portrait of Madame Pichon from 1895 and Coco Lisant from 1905 the BBC and The Art Newspaper both reported citing local officials. The mayor’s office estimated the value of the stolen works at €9 million or roughly $10.4 million though some auction records for comparable Renoir works have reached tens of millions in recent years according to coverage in Forbes. Police recovered two zippered bags believed to belong to the suspects in the garden as part of evidence gathered at the scene. The museum which served as Renoir’s home during the final decade of his life until 1919 holds a total of 13 of his paintings along with around 40 sculptures and personal items such as his easel and wheelchair France 24 reported.

Attacking the Renoir Museum is attacking a part of the history and heritage of Cagnes-sur-Mer Masson said in a statement distributed by the town hall. It’s Renoir’s it is priceless you cannot sell it like that the mayor added when speaking to journalists at the site. Masson further described the thieves as wearing helmets gloves and combat gear while carrying tools that allowed them to work quickly before the alarm fully alerted authorities. His comments underscored the cultural importance of the collection which draws visitors to the French Riviera town near Nice.

The Renoir Museum opened in 1960 inside the stone villa where the Impressionist artist lived and worked surrounded by olive trees The New York Times noted in its coverage. Its permanent display includes not only the paintings but also furniture and photographs that belonged to Renoir’s family offering a detailed picture of his later career after he moved south for health reasons. The theft has prompted renewed scrutiny of security at smaller regional museums that house significant artworks yet often rely on local rather than national police resources according to multiple French outlets.

This break-in represents the latest in a wave of high-profile art thefts across Europe occurring almost exactly one year after thieves stole royal jewels valued at more than $100 million from the Louvre in a daylight operation The New York Times and Al Jazeera both reported. Four Renaissance paintings were taken from a museum in Sicily only last month as part of the same pattern of incidents that have targeted cultural institutions the BBC noted. A Europol spotlight report released last month documented a shift toward aggressive fast daylight or early-morning heists using brute force while noting that recruitment of opportunistic groups via social media has become more common.

France’s Sub-Directorate for Combating Organised Crime and Specialised Delinquency has taken charge of the investigation with support from local forces Al Jazeera reported drawing on statements from regional authorities. The probe continues as officers review additional CCTV footage and seek information that could identify the two individuals who remain at large. No arrests have been announced and officials have not disclosed whether they believe the theft was commissioned by a private collector or aimed at the black market where stolen masterpieces often surface years later.

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